I'm in the paper! Sweet!

(Herald Times, Oct 20, Peter Jacobi):

For its debut concert of the new music season, the IU Baroque Orchestra on Sunday afternoon rushed St. Cecilia’s Day by a month. The patron saint of musicians isn’t supposed to be honored until Nov. 22. But who cares when the result of the decision is an opportunity to hear portions of Handel’s “Ode for St. Cecilia’s Day?”
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The concert’s opening was strong, that being the Overture to the St. Cecilia Ode, with its mellifluous lyricism and invigorating counterpoint. Ritchie also chose two arias from the Ode, settings from John Dryden’s “A Song for St. Cecilia’s Day,” for which the orchestra was joined by a pair of soloists: a sweetly toned tenor, Ben Geier, to sing “When nature underneath a heap of jarring atoms lay,” and Lindsey Lang, a resolute young lady with a secure and rangy soprano voice, to contribute a lengthier, more demanding “What Passions cannot Music raise and quell!” The two arias, indeed, seemed to raise the passions.
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Instrumentalists distinguishing themselves were oboist Christopher Morgan; Everett Burns and Sarah Williams on horn; and an unidentified harpsichordist. Was the woman on keyboard Hsuan Chang or Dawn Kalis or Maho Sone? Whoever: She played with notable refinement, as did cellist Inha Kim earlier, in lovely collaboration with soprano Lang during that solo from “Ode for St. Cecilia’s Day.”